Hello blog,
Where to even begin? The sun is out, we're at the start of Summer and life is rumbling along. You know where it's good to be between May and August? Outside all the time. I would happily play no shows every summer if it meant more time looking for bats, bees, butterflies and other names of stuff that fit this alliterative model. If only hornets were called bornets. But, alas. Balas.
But, you know, sometimes you have to sacrifice evenings and hole yourself up in a rehearsal room with a band and then play some gigs. On my drive to hit forty shows in support of latest album Get Found, I offer to you the following shows for June/July:
#34: Sat 23rd June FROME All Roads Lead To Frome (all dayer)
fb event / tickets
#35: Thu 12th July 2000TREES FESTIVAL Main Stage
#36: Sat 14th July 2000TREES FESTIVAL Forest Session
line-up, tickets etc
#37: Sun 15th July READING Readipop Festival
line-up, tickets etc
Everything is set to lead up to show #40, which should be the Fulford Arms on October the 20th in York.
Other stuff:
I was interviewed for issue #49 of Stencil Magazine. Here are some highlights:
Or maybe
We do talk about other things too. The full (gigantic) mag is here.
Other than that, the best album I've heard lately has been by brand new up-and-comer Randy Newman. 'Dark Matter' is out now and well worth a listen. Suspend your disbelief! The man is like a musician who accidentally swallowed a showreel.
I'll leave you with his recent Tiny Desk Concert for NPR.
Stay suncreamed.
x
in which Ben Marwood, singer-songwriter and failed music journalist, says things and presses enter.
Thursday, 21 June 2018
Friday, 2 March 2018
Additional tour dates confirmed
In the words of 2003: hey ya.
We've confirmed two more shows for April's run of UK dates, so here's the final list:
APRIL
5 NEWPORT Le Pub tickets
6 NOTTINGHAM JT Soar tickets
9 SOUTHAMPTON Joiners tickets
10 BRISTOL The Exchange tickets
11 LONDON The Monarch tickets
13 CHELTENHAM Frog & Fiddle tickets
14 LEEDS Singleshot (matinee show) tickets
14 MANCHESTER Aatma tickets
Support TBC any day now, honest.
Hope you're staying safe in the snow.
xo
We've confirmed two more shows for April's run of UK dates, so here's the final list:
APRIL
5 NEWPORT Le Pub tickets
6 NOTTINGHAM JT Soar tickets
9 SOUTHAMPTON Joiners tickets
10 BRISTOL The Exchange tickets
11 LONDON The Monarch tickets
13 CHELTENHAM Frog & Fiddle tickets
14 LEEDS Singleshot (matinee show) tickets
14 MANCHESTER Aatma tickets
Support TBC any day now, honest.
Hope you're staying safe in the snow.
xo
Thursday, 15 February 2018
Three Benboards Outside Ebbing, Missouri
Sure, I could photoshop some billboards to go with the heading - Three Billboards is a good film, incidentally, and if you like watching good films then Three Billboards is a good film you could see - but life is short and time is precious so here is some news, not in billboard format:
1. UK Tour in April
Barry is hard at work routing a UK tour that a) hits as many places as possible in nine days and b) makes sure I'm in Reading on Wrestlemania evening, or else various members of my family are going to decapitate me. So far we have these dates:
APRIL
5 NEWPORT Le Pub tickets
6 NOTTINGHAM JT Soar tickets
9 SOUTHAMPTON Joiners tickets
10 BRISTOL The Exchange tickets
11 LONDON The Monarch tickets
14 MANCHESTER Aatma tickets
Supports are TBC and I suspect there'll be two or three more shows to add to that before the next week rolls around. Unfortunately we can't get to Scotland this time but plans are afoot for some informal whisky tasting evenings disguised as gigs later on in the year.
2. 2000Trees #mainstage
I know, I know. Thursday 12th July I'll open the main stage at last, and it only took years of people yelling it in crowds. It's a good job they weren't shouting "car park".
It'll be a great pleasure to finally get to step out onto the main stage since this is the work of tireless years of espionage, counter-espionage, bribing, vote rigging and playing every other stage I could find. Apart from the busking one next to the silent disco. Who wants to busk when you can silently disco?
3. 2000Trees warmup show
I'm honoured to be invited along to this year's All Roads To Frome at Cheese & Grain, Frome. It'll be on the 23rd of June, which just so happens to be the exact day I'll be playing a gig in Frome for the very first time. What are the odds? 1.
I couldn't find a ticket link so here, have this Facebook event.
Y'all take care now.
x
1. UK Tour in April
Barry is hard at work routing a UK tour that a) hits as many places as possible in nine days and b) makes sure I'm in Reading on Wrestlemania evening, or else various members of my family are going to decapitate me. So far we have these dates:
APRIL
5 NEWPORT Le Pub tickets
6 NOTTINGHAM JT Soar tickets
9 SOUTHAMPTON Joiners tickets
10 BRISTOL The Exchange tickets
11 LONDON The Monarch tickets
14 MANCHESTER Aatma tickets
Supports are TBC and I suspect there'll be two or three more shows to add to that before the next week rolls around. Unfortunately we can't get to Scotland this time but plans are afoot for some informal whisky tasting evenings disguised as gigs later on in the year.
2. 2000Trees #mainstage
I know, I know. Thursday 12th July I'll open the main stage at last, and it only took years of people yelling it in crowds. It's a good job they weren't shouting "car park".
It'll be a great pleasure to finally get to step out onto the main stage since this is the work of tireless years of espionage, counter-espionage, bribing, vote rigging and playing every other stage I could find. Apart from the busking one next to the silent disco. Who wants to busk when you can silently disco?
3. 2000Trees warmup show
I'm honoured to be invited along to this year's All Roads To Frome at Cheese & Grain, Frome. It'll be on the 23rd of June, which just so happens to be the exact day I'll be playing a gig in Frome for the very first time. What are the odds? 1.
I couldn't find a ticket link so here, have this Facebook event.
Y'all take care now.
x
Wednesday, 29 November 2017
Safe Mode: a demo for a very limited time
Yo!
I'm always a little bit weird when it comes to releasing demos before the actual finished songs are available - many is the time a younger Ben Marwood has been disappointed by studio versions simply because they aren't the demos he was used to, but then again young Ben was quite the idiot.
For the past few weeks, a demo of Safe Mode has been available on Bandcamp even though a studio version won't follow for a while, and we had some t-shirts printed too.
Safe Mode demo: https://benmarwood.bandcamp.com/track/safe-mode-demo
Safe Mode tees: https://warriorstateapparel.com/products/ben-marwood-safe-mode-tee
And lo, at roughly midnight on the 1st of December, the Safe Mode demo will come back down for a while. I'm a sucker for a holiday special, so perhaps it will be back for Christmas Day. Can't have you getting too attached though.
Thanks to all new friends who came out to the German tour. I am still so full of food. How do you people walk around having eaten so much so regularly?
My final show of the year is at the Rising Sun Arts Centre on 16th December, a holiday blowout with my good friends Non Canon and Band of Hope. Come on down, there are still some tickets. It's in Reading.
I'm off to learn some Christmas songs.
b
I'm always a little bit weird when it comes to releasing demos before the actual finished songs are available - many is the time a younger Ben Marwood has been disappointed by studio versions simply because they aren't the demos he was used to, but then again young Ben was quite the idiot.
For the past few weeks, a demo of Safe Mode has been available on Bandcamp even though a studio version won't follow for a while, and we had some t-shirts printed too.
Safe Mode demo: https://benmarwood.bandcamp.com/track/safe-mode-demo
Safe Mode tees: https://warriorstateapparel.com/products/ben-marwood-safe-mode-tee
And lo, at roughly midnight on the 1st of December, the Safe Mode demo will come back down for a while. I'm a sucker for a holiday special, so perhaps it will be back for Christmas Day. Can't have you getting too attached though.
Thanks to all new friends who came out to the German tour. I am still so full of food. How do you people walk around having eaten so much so regularly?
My final show of the year is at the Rising Sun Arts Centre on 16th December, a holiday blowout with my good friends Non Canon and Band of Hope. Come on down, there are still some tickets. It's in Reading.
I'm off to learn some Christmas songs.
b
Monday, 30 October 2017
Autumn for Benjamin in Germany
Hello neighbour!
The clocks have gone back, did you notice? Of course, you did, because we've been stumbling around in the dark all day in tears, bumping into things.
This Saturday I play in Bolton at the Alma Inn. The show is free, it's an all-day thing, and it's the first time I've ever been to Bolton so, hey, there's that.
Since it's so dark over here, my good friend Nick Parker and I are off on a Science Mission to use some Science to work out whether it's darker here, or darker in Germany (and once, Belgium). Our results will be published in secret and never revealed. EVER.
Anyway, here are the dates:
NOVEMBER (w/Nick Parker)
17 Leefdaal, Belgium House Show
18 Rulle, Germany House Show
19 Hannover, Germany House Show
21 Langenberg, Germany House Show
22 Duisburg, Germany House Show
23 Marburg, Germany Molly Malone's
I'm pretty excited about all this, because I get to sample the famous Belgio-Deutsch* hospitality first hand in people's actual houses, able to speak none of their native language, and I get to hang out with Nick Parker. Oh and hot on the heels of having never been to Bolton, I have also never been to Germany. Or Belgium. Or, come to think of France. Or Ireland. Or..
Enough! I'm looking forward to some time on The Mainland and perfecting the art of the European House Show. I'm a huge fan of a songwriter named Will Johnson (you can hear his work here and here) and playing house shows in Texas are pretty much how he spends his time and hey, if house shows are good enough for him..
If you're in the area and you'd like to come to one of these shows, please contact us on Twitter or via Facebook and we'll do our best.
Alles klar, etc
b
*not a word
The clocks have gone back, did you notice? Of course, you did, because we've been stumbling around in the dark all day in tears, bumping into things.
This Saturday I play in Bolton at the Alma Inn. The show is free, it's an all-day thing, and it's the first time I've ever been to Bolton so, hey, there's that.
Since it's so dark over here, my good friend Nick Parker and I are off on a Science Mission to use some Science to work out whether it's darker here, or darker in Germany (and once, Belgium). Our results will be published in secret and never revealed. EVER.
Anyway, here are the dates:
NOVEMBER (w/Nick Parker)
17 Leefdaal, Belgium House Show
18 Rulle, Germany House Show
19 Hannover, Germany House Show
21 Langenberg, Germany House Show
22 Duisburg, Germany House Show
23 Marburg, Germany Molly Malone's
I'm pretty excited about all this, because I get to sample the famous Belgio-Deutsch* hospitality first hand in people's actual houses, able to speak none of their native language, and I get to hang out with Nick Parker. Oh and hot on the heels of having never been to Bolton, I have also never been to Germany. Or Belgium. Or, come to think of France. Or Ireland. Or..
Enough! I'm looking forward to some time on The Mainland and perfecting the art of the European House Show. I'm a huge fan of a songwriter named Will Johnson (you can hear his work here and here) and playing house shows in Texas are pretty much how he spends his time and hey, if house shows are good enough for him..
If you're in the area and you'd like to come to one of these shows, please contact us on Twitter or via Facebook and we'll do our best.
Alles klar, etc
b
*not a word
Tuesday, 10 October 2017
Nights onstage, and Nights on a bus.
Hi all!
Tuesday is currently in full swing, and by that I mean it exists and we're alive. Fun! Tonight I'm at Camden Monarch alongside my good friends Quiet Quiet Band, but I thought I'd take a moment to plug a couple of charity shows I have coming up:
OCTOBER 14th
Reading Oxjam Takeover @ Oakford Social Club
Reading, info & tickets etc
NOVEMBER 4th
Alma Inn w/Joe McCorriston & Dave Giles
Bolton, free show
There you go.
Also, back in May we recorded a version of Nights on a bus at the back of the Roundhouse. Xtra Mile have collected up all the sessions that happened that weekend onto a nice easy compilation:
Here it is in the XMR shop.
Toodles!
b
Tuesday is currently in full swing, and by that I mean it exists and we're alive. Fun! Tonight I'm at Camden Monarch alongside my good friends Quiet Quiet Band, but I thought I'd take a moment to plug a couple of charity shows I have coming up:
OCTOBER 14th
Reading Oxjam Takeover @ Oakford Social Club
Reading, info & tickets etc
NOVEMBER 4th
Alma Inn w/Joe McCorriston & Dave Giles
Bolton, free show
There you go.
Also, back in May we recorded a version of Nights on a bus at the back of the Roundhouse. Xtra Mile have collected up all the sessions that happened that weekend onto a nice easy compilation:
Here it is in the XMR shop.
Toodles!
b
Wednesday, 30 August 2017
Got Found
Yes, yes, I know. Months and months and I don't write and I don't call.
I could say I was out planning something huge for your next birthday, but eventually you'll find out that I've just been down the chip shop for five months and I've only come home in search of ketchup.
Oh, that and I finally released my third album, Get Found.
Don't believe me? Here it is:
It's been out now for four months and twenty-three days* and just to prove to myself it still exists I'm listening to it right now. As a single piece of work I think it's up there (maybe better than) things I've done before, even if it is probably one song too long. It's always been one song too long - problem was, every time I dropped a song, it suddenly felt one song too short. This is how men go mad.
What else happened? Oh yes, I hit the road to promote the album on a ten-date UK tour, with four of those sold out, making it the Most Successful Ben Marwood Headline Tour ever. I could pretend like that was anything to do with me, but it was probably something to do with my excellent touring friends and opening acts Non Canon (aka Barry) and Helen Chambers (aka.. Helen). We had excellent fun heading to places I personally hadn't been in a while and then it was Easter Monday and it was over and Barry and I went to an Asda and left with armfuls (quite literally) of cut-price Easter eggs for our loved ones.
Barry also made me this video, which is precisely fuck all to do with the tour but has everything to do with the album:
Is that it? Probably not. I also played the Roundhouse as part of Frank Turner's Lost Evenings festival (ta, Frank), played at 10.30 a.m. - yes, 10.30 a.m. in the morning - to some very hungover faces at this year's 2000 Trees Festival and probably some other stuff I've forgotten.
Life continues to be interesting and occasionally admittedly a bit of a struggle, mostly from a limited mobility/maximum exhaustion standpoint, but I'm delighted that I have 15 shows under my belt this year without being even slightly dead. 15 shows! Sure, you punk kids can do that in a week, but for me it's more than the previous two years combined.
I have some more shows coming up, but more on that another time.
I hope you're all well,
b
*(no matter how many years we get past 1990, describing any period of time still puts the start of Nothing Compares 2 U in my head)
I could say I was out planning something huge for your next birthday, but eventually you'll find out that I've just been down the chip shop for five months and I've only come home in search of ketchup.
Oh, that and I finally released my third album, Get Found.
Don't believe me? Here it is:
It's been out now for four months and twenty-three days* and just to prove to myself it still exists I'm listening to it right now. As a single piece of work I think it's up there (maybe better than) things I've done before, even if it is probably one song too long. It's always been one song too long - problem was, every time I dropped a song, it suddenly felt one song too short. This is how men go mad.
What else happened? Oh yes, I hit the road to promote the album on a ten-date UK tour, with four of those sold out, making it the Most Successful Ben Marwood Headline Tour ever. I could pretend like that was anything to do with me, but it was probably something to do with my excellent touring friends and opening acts Non Canon (aka Barry) and Helen Chambers (aka.. Helen). We had excellent fun heading to places I personally hadn't been in a while and then it was Easter Monday and it was over and Barry and I went to an Asda and left with armfuls (quite literally) of cut-price Easter eggs for our loved ones.
Barry also made me this video, which is precisely fuck all to do with the tour but has everything to do with the album:
Is that it? Probably not. I also played the Roundhouse as part of Frank Turner's Lost Evenings festival (ta, Frank), played at 10.30 a.m. - yes, 10.30 a.m. in the morning - to some very hungover faces at this year's 2000 Trees Festival and probably some other stuff I've forgotten.
Life continues to be interesting and occasionally admittedly a bit of a struggle, mostly from a limited mobility/maximum exhaustion standpoint, but I'm delighted that I have 15 shows under my belt this year without being even slightly dead. 15 shows! Sure, you punk kids can do that in a week, but for me it's more than the previous two years combined.
I have some more shows coming up, but more on that another time.
I hope you're all well,
b
*(no matter how many years we get past 1990, describing any period of time still puts the start of Nothing Compares 2 U in my head)
Saturday, 25 March 2017
Bury Me In The Pantheon. Twice.
Hi all!
We're now less than two weeks away from the new album and tour. Come and join us!
APRIL
Thu 6th HOVE Brunswick // tickets
Fri 7th LONDON The Monarch // free entry
Sat 8th SOUTHSEA Afternoon Show @ Southsea Sound // tickets
Sat 8th SOUTHSEA Evening Show @ Southsea Sound // sold out
Mon 10th BRISTOL Crofter's Rights // sold out
Tue 11th NOTTINGHAM Bodega // tickets
Wed 12th YORK Fulford Arms // tickets
Fri 14th EDINBURGH Opium // tickets
Sat 15th GLASGOW Hug & Pint // tickets
Sun 16th MANCHESTER Gullivers // tickets
Thanks everyone who snapped up tickets - we had to add an extra Southsea show due to demand, Bristol is sold out too and London looks to be busy. In all honesty, I've lost track of it all slightly amidst the promo activity for the album, but somewhere in amongst it all we released a second song from Get Found called 'Bury Me In The Pantheon', included below for your enjoyment:
https://www.youtube.com/watch?v=FddmQRSF_Zc
Bury Me In The Pantheon, from 'Get Found'
https://www.youtube.com/watch?v=uSI3hIYAmTQ
Bury Me In The Pantheon, live in session at Reading's Rising Sun Arts Centre
It's a bit weird seeing my face in HD, but I'm getting used to it. The video at the RSAC was one of a few shot by Ben Morse with a new toy he'd borrowed from Panasonic, and the results are pretty neat.
Meanwhile, The Ocelot was amongst the publications who had good things to say about Get Found, John Kennedy spun the previously unheard 'The Church of No Commandments' on (don't-call-it-xfm) Radio X plus I sat down and answered questions for PRS' M Magazine and the excellent York bunch One For The Road.
So there. Now we're up to date, my room is stacked high with new albums, t-shirts and other little trinkets to sell and all that remains is to say: see you out there.
xx
We're now less than two weeks away from the new album and tour. Come and join us!
APRIL
Thu 6th HOVE Brunswick // tickets
Fri 7th LONDON The Monarch // free entry
Sat 8th SOUTHSEA Afternoon Show @ Southsea Sound // tickets
Sat 8th SOUTHSEA Evening Show @ Southsea Sound // sold out
Mon 10th BRISTOL Crofter's Rights // sold out
Tue 11th NOTTINGHAM Bodega // tickets
Wed 12th YORK Fulford Arms // tickets
Fri 14th EDINBURGH Opium // tickets
Sat 15th GLASGOW Hug & Pint // tickets
Sun 16th MANCHESTER Gullivers // tickets
Thanks everyone who snapped up tickets - we had to add an extra Southsea show due to demand, Bristol is sold out too and London looks to be busy. In all honesty, I've lost track of it all slightly amidst the promo activity for the album, but somewhere in amongst it all we released a second song from Get Found called 'Bury Me In The Pantheon', included below for your enjoyment:
https://www.youtube.com/watch?v=FddmQRSF_Zc
Bury Me In The Pantheon, from 'Get Found'
https://www.youtube.com/watch?v=uSI3hIYAmTQ
Bury Me In The Pantheon, live in session at Reading's Rising Sun Arts Centre
It's a bit weird seeing my face in HD, but I'm getting used to it. The video at the RSAC was one of a few shot by Ben Morse with a new toy he'd borrowed from Panasonic, and the results are pretty neat.
Meanwhile, The Ocelot was amongst the publications who had good things to say about Get Found, John Kennedy spun the previously unheard 'The Church of No Commandments' on (don't-call-it-xfm) Radio X plus I sat down and answered questions for PRS' M Magazine and the excellent York bunch One For The Road.
So there. Now we're up to date, my room is stacked high with new albums, t-shirts and other little trinkets to sell and all that remains is to say: see you out there.
xx
Friday, 17 February 2017
Tour dates: an update
Hey all,
I'm writing this late at night on Friday, February 17th and tomorrow I have a hometown show, my first in six months. It'll be a try-out show for some of the songs I'd like to play on tour and there'll be favourites too, all part of my mission to make this upcoming tour the Best Tour Ever.
I figured now the album announcement is out of the way, I might give the tour a little extra push. Here's a reminder of the dates and an update on ticket links etc:
APRIL
Thu 6th HOVE Brunswick // tickets
Fri 7th LONDON The Monarch // free entry
Sat 8th SOUTHSEA Southsea Sound // sold out
Mon 10th BRISTOL Crofter's Rights // tickets
Tue 11th NOTTINGHAM Bodega // tickets
Wed 12th YORK Fulford Arms // tickets
Fri 14th EDINBURGH Opium // tickets
Sat 15th GLASGOW Hug & Pint // tickets
Sun 16th MANCHESTER Gullivers // tickets
All shows with Non Canon
All shows with Helen Chambers exc. Scotland
For those of you who missed out on tickets to Southsea - I feel your pain. Tickets sold out within a few hours for it, so we're working on a solution. I'm told that if you want to register your interest/stay up to date with things for a potential extra Southsea show: usernametakenmusic@gmail.com is the address to email.
Other than that, the amazing Banquet (my favourite indie store) now has 'Get Found' up to order. I've added that link to the previous post, but here they are again:
Xtra Mile Recordings: http://smarturl.it/GetFound-XMR
iTunes: http://smarturl.it/GetFound_iTunes
Banquet: https://www.banquetrecords.com/ben-marwood/get-found/XMR130CD
Stay tuned for more gubbins,
b
I'm writing this late at night on Friday, February 17th and tomorrow I have a hometown show, my first in six months. It'll be a try-out show for some of the songs I'd like to play on tour and there'll be favourites too, all part of my mission to make this upcoming tour the Best Tour Ever.
I figured now the album announcement is out of the way, I might give the tour a little extra push. Here's a reminder of the dates and an update on ticket links etc:
APRIL
Thu 6th HOVE Brunswick // tickets
Fri 7th LONDON The Monarch // free entry
Sat 8th SOUTHSEA Southsea Sound // sold out
Mon 10th BRISTOL Crofter's Rights // tickets
Tue 11th NOTTINGHAM Bodega // tickets
Wed 12th YORK Fulford Arms // tickets
Fri 14th EDINBURGH Opium // tickets
Sat 15th GLASGOW Hug & Pint // tickets
Sun 16th MANCHESTER Gullivers // tickets
All shows with Non Canon
All shows with Helen Chambers exc. Scotland
For those of you who missed out on tickets to Southsea - I feel your pain. Tickets sold out within a few hours for it, so we're working on a solution. I'm told that if you want to register your interest/stay up to date with things for a potential extra Southsea show: usernametakenmusic@gmail.com is the address to email.
Other than that, the amazing Banquet (my favourite indie store) now has 'Get Found' up to order. I've added that link to the previous post, but here they are again:
Xtra Mile Recordings: http://smarturl.it/GetFound-XMR
iTunes: http://smarturl.it/GetFound_iTunes
Banquet: https://www.banquetrecords.com/ben-marwood/get-found/XMR130CD
Stay tuned for more gubbins,
b
Wednesday, 8 February 2017
NEW ALBUM KLAXON!
Ladies and Gentlemen and Gazorpians,
It is with great pleasure that I, Benjamin Marwood, announce at last my third full-length album, herein referred to as Get Found.
Get Found is out on 7th April 2017 on CD/download via the good people at Xtra Mile Recordings, who continue to put up with my shit.
Get Found has thirteen songs on it, and at forty minutes long is at the absolute maximum of my musical attention span:
------------------
Tracklisting begins
------------------
1. Punched In The Mouth (Part 1)
2. The Church Of No Commandments
3. In Black and White
4. Enraptured
5. DNFTTTS
6. Nights
7. I'm Wide Awake It's Boring
8. Bones
9. Baby You're A Mess
10. Bury Me In The Pantheon
11. Kick Out Kick On
12. The Devil Makes Work For Jazz Hands
13. Friends, Close
------------------
Tracklisting Ends
------------------
All songs were written by me, except for Baby You're A Mess which was written (and initially recorded and released) by Tom Crook/Band of Hope. Naturally, the one I didn't write turned out to be the best one and you can hear it on Soundcloud right now:
https://soundcloud.com/benmarwood/baby-youre-a-mess
You can order stuff right over here:
Xtra Mile Recordings: http://smarturl.it/GetFound-XMR
iTunes: http://smarturl.it/GetFound_iTunes
Banquet: https://www.banquetrecords.com/ben-marwood/get-found/XMR130CD
I have various things to say surrounding the writing and recording of this album but that's for another day or maybe never (or, at least, for the liner notes). Suffice to say, I'm incredibly proud of this album and what it represents - so much so, that I'm actually going to try and take to the road for the first time in three years:
APRIL
Thursday 6th BRIGHTON Brunswick*
Friday 7th LONDON Camden Monarch*
Saturday 8th PORTSMOUTH Southsea Sound*
Monday 10th BRISTOL Crofters Rights*
Tuesday 11th NOTTINGHAM Bodega*
Wednesday 12th YORK Fulford Arms*
Friday 14th EDINBURGH Opium
Saturday 15th GLASGOW Hug and Pint
Sunday 16th MANCHESTER Gullivers*
All dates are with Non Canon
*dates are with Helen Chambers too
Tickets are hopefully available already, from wherever places normally do tickets.
Thanks massively to the XMR gang and to Barry Dolan for getting the record & tour off the ground.
Hitting publish on this post and actually telling people about it marks the end of a long road for me, though hopefully not the kind of road that your sat nav guides you down, swearing blind that this is the way to Leeds and all of a sudden you're in the sea. Hopefully at the end of this long road, there'll be ice cream.
To ice cream,
Ben
It is with great pleasure that I, Benjamin Marwood, announce at last my third full-length album, herein referred to as Get Found.
Get Found is out on 7th April 2017 on CD/download via the good people at Xtra Mile Recordings, who continue to put up with my shit.
Get Found has thirteen songs on it, and at forty minutes long is at the absolute maximum of my musical attention span:
------------------
Tracklisting begins
------------------
1. Punched In The Mouth (Part 1)
2. The Church Of No Commandments
3. In Black and White
4. Enraptured
5. DNFTTTS
6. Nights
7. I'm Wide Awake It's Boring
8. Bones
9. Baby You're A Mess
10. Bury Me In The Pantheon
11. Kick Out Kick On
12. The Devil Makes Work For Jazz Hands
13. Friends, Close
------------------
Tracklisting Ends
------------------
All songs were written by me, except for Baby You're A Mess which was written (and initially recorded and released) by Tom Crook/Band of Hope. Naturally, the one I didn't write turned out to be the best one and you can hear it on Soundcloud right now:
https://soundcloud.com/benmarwood/baby-youre-a-mess
You can order stuff right over here:
Xtra Mile Recordings: http://smarturl.it/GetFound-XMR
iTunes: http://smarturl.it/GetFound_iTunes
Banquet: https://www.banquetrecords.com/ben-marwood/get-found/XMR130CD
I have various things to say surrounding the writing and recording of this album but that's for another day or maybe never (or, at least, for the liner notes). Suffice to say, I'm incredibly proud of this album and what it represents - so much so, that I'm actually going to try and take to the road for the first time in three years:
APRIL
Thursday 6th BRIGHTON Brunswick*
Friday 7th LONDON Camden Monarch*
Saturday 8th PORTSMOUTH Southsea Sound*
Monday 10th BRISTOL Crofters Rights*
Tuesday 11th NOTTINGHAM Bodega*
Wednesday 12th YORK Fulford Arms*
Friday 14th EDINBURGH Opium
Saturday 15th GLASGOW Hug and Pint
Sunday 16th MANCHESTER Gullivers*
All dates are with Non Canon
*dates are with Helen Chambers too
Tickets are hopefully available already, from wherever places normally do tickets.
Thanks massively to the XMR gang and to Barry Dolan for getting the record & tour off the ground.
Hitting publish on this post and actually telling people about it marks the end of a long road for me, though hopefully not the kind of road that your sat nav guides you down, swearing blind that this is the way to Leeds and all of a sudden you're in the sea. Hopefully at the end of this long road, there'll be ice cream.
To ice cream,
Ben
Sunday, 20 November 2016
2016: Two shows to end the year
November is here and nearly done.
As soon as the temperature drops and the nights draw in, time flies by, as if time exists in proportion to sunlight. Still, in a couple of days my (gigging) year really will be over, as I play the final shows of 2016:
Tuesday 22nd Nov: Joiners Arms, Southampton (tickets)
Thursday 24th Nov: Upstairs @ the Garage, London (tickets)
Both shows are alongside Xtra Mile's own Northcote and Jon Snodgrass, both of whom I'll be gigging with for the first time. Exciting.
Generally, the year has been good. I mean, the aim was to release the album and maybe do one or two shows, but instead I've managed to get into double-digits for shows and accidentally neglected the album.
The album is done, named and hopefully there'll be real, actual news on it soon. I could, and will, write at length about it once I can tell you more (otherwise I'll just be writing vague nothings) but for now let's just say this: I'm incredibly proud of how it turned out, and I'm working hard to find it the right home. See. Vague nothings.
Take care
xo
As soon as the temperature drops and the nights draw in, time flies by, as if time exists in proportion to sunlight. Still, in a couple of days my (gigging) year really will be over, as I play the final shows of 2016:
Tuesday 22nd Nov: Joiners Arms, Southampton (tickets)
Thursday 24th Nov: Upstairs @ the Garage, London (tickets)
Both shows are alongside Xtra Mile's own Northcote and Jon Snodgrass, both of whom I'll be gigging with for the first time. Exciting.
Generally, the year has been good. I mean, the aim was to release the album and maybe do one or two shows, but instead I've managed to get into double-digits for shows and accidentally neglected the album.
The album is done, named and hopefully there'll be real, actual news on it soon. I could, and will, write at length about it once I can tell you more (otherwise I'll just be writing vague nothings) but for now let's just say this: I'm incredibly proud of how it turned out, and I'm working hard to find it the right home. See. Vague nothings.
Take care
xo
Saturday, 10 September 2016
2016: the year of the music
Hello friends,
I write this on Saturday, which as everyone knows was voted Day Most Likely To Be Awesome in its school yearbook. Tonight I'm off to see PUP in Kingston with my friend Emma D, and during the day I'm sifting through a longlist of 51 songs for this week's (40/45 minute) podcast over at editradio due on Tuesday, which is a new podcast record. Fifty-one!
Anyway, Emma and I were also trying to see PUP yesterday (London) and Sunday (Southampton), but both those shows sold out. I'd like to see Pinegrove, a new band I'm really into, on Tuesday in London but sure enough that's sold out too. So instead, I thought I'd start this blog by hailing how excellent 2016 has been for music so far, highlighting the kind of thing that's been filling my ears over the past nine months (though admittedly, some of it was from the tail end of 2015) and generally enjoying the annual rebirth of the music industry as another festival season gets the fuck out of the way, new music starts popping up again and our favourite acts hit the road to play venues which are clearly just too small. Not that I'm any one to talk.
If everything's gone to plan, there'll be a Spotify playlist at the bottom of this page. Listen, enjoy, shuffle it or don't do any of that. But there, I've done my bit to keep recorded music alive for another week. If you like any of it, I encourage you to purchase it.
Of course, what's really been in my ears these past few weeks is the new album. I finished recording my parts in July, all the other stuff got done in the first week of August and we hotfooted over to Old Blacksmiths on the outskirts of Portsmouth to start the mixing process with the emphasis on getting it right instead of just getting it done. A month later and it's all coming together and the artwork is in progress (well, kinda - trusted artist Cat has decided to give birth to a little human which not only takes up her time, but who she also refused to name either Naismith or Lukaku, a blatant sign of disrespect). Once the mixes are done, we'll sort out the track order, cull the worst bits and send it off to be decorated with cream and berries or whatever actually happens during the mastering process.
I'm not unhappy about the prospect of the album not being here yet - as we've already covered, 2016 has had its fair share of excellent records and there are plenty of other shows to go to so I'm not bothered about delaying releasing, touring and generally promoting an album for a little while longer. The general state of my day-to-day life is OK, but deteriorates quickly if I don't look after myself, so the prospect of daily travelling, late nights, hard floors, irregular meals and a forty-plus minute nightly stage workout is something which I will happily postpone if I can. I'll get there, though.
Album (still unnamed) is sounding great although the events surrounding this one mean it's the actual act of recording and releasing it which is significant to me, not how the damn thing sounds. I could overdub it with screaming goat noises and still be happy with it though I should highlight that fans of screaming goat noises will probably be disappointed on first listen.
In the meantime, after one show in 2015 my goal for 2016 was ten shows, and I'm up to nine right now with two more to be announced shortly, so I guess we hit that goal. Give me a huge hello if you see me in any of the following places this Autumn:
SEPTEMBER
24 Bristol Louisiana (SOLD OUT)
OCTOBER
16 Southampton The Joiners (tix)
24 London Tooting Tram & Social (tix)
The other two shows will be in November and will be announced shortly, though anything outside of the South won't be happening until next year now.
Thanks to everyone who has made the shows so far so special, including an incredible (if technically inept) 2000Trees set, a roasting Reading show back in June and some fun under the railway arches at House of Vans with Frank Turner, Sam Duckworth and Ben Morse (thanks folks).
In the meantime, here's fifty minutes of my favourite songs of 2016 And The End Of 2015, for your Spotify ears. Athankyou:
https://open.spotify.com/user/benmarwood/playlist/5H7lHVTfl3hZfi0ar3eQFa
I write this on Saturday, which as everyone knows was voted Day Most Likely To Be Awesome in its school yearbook. Tonight I'm off to see PUP in Kingston with my friend Emma D, and during the day I'm sifting through a longlist of 51 songs for this week's (40/45 minute) podcast over at editradio due on Tuesday, which is a new podcast record. Fifty-one!
Anyway, Emma and I were also trying to see PUP yesterday (London) and Sunday (Southampton), but both those shows sold out. I'd like to see Pinegrove, a new band I'm really into, on Tuesday in London but sure enough that's sold out too. So instead, I thought I'd start this blog by hailing how excellent 2016 has been for music so far, highlighting the kind of thing that's been filling my ears over the past nine months (though admittedly, some of it was from the tail end of 2015) and generally enjoying the annual rebirth of the music industry as another festival season gets the fuck out of the way, new music starts popping up again and our favourite acts hit the road to play venues which are clearly just too small. Not that I'm any one to talk.
If everything's gone to plan, there'll be a Spotify playlist at the bottom of this page. Listen, enjoy, shuffle it or don't do any of that. But there, I've done my bit to keep recorded music alive for another week. If you like any of it, I encourage you to purchase it.
Of course, what's really been in my ears these past few weeks is the new album. I finished recording my parts in July, all the other stuff got done in the first week of August and we hotfooted over to Old Blacksmiths on the outskirts of Portsmouth to start the mixing process with the emphasis on getting it right instead of just getting it done. A month later and it's all coming together and the artwork is in progress (well, kinda - trusted artist Cat has decided to give birth to a little human which not only takes up her time, but who she also refused to name either Naismith or Lukaku, a blatant sign of disrespect). Once the mixes are done, we'll sort out the track order, cull the worst bits and send it off to be decorated with cream and berries or whatever actually happens during the mastering process.
I'm not unhappy about the prospect of the album not being here yet - as we've already covered, 2016 has had its fair share of excellent records and there are plenty of other shows to go to so I'm not bothered about delaying releasing, touring and generally promoting an album for a little while longer. The general state of my day-to-day life is OK, but deteriorates quickly if I don't look after myself, so the prospect of daily travelling, late nights, hard floors, irregular meals and a forty-plus minute nightly stage workout is something which I will happily postpone if I can. I'll get there, though.
Album (still unnamed) is sounding great although the events surrounding this one mean it's the actual act of recording and releasing it which is significant to me, not how the damn thing sounds. I could overdub it with screaming goat noises and still be happy with it though I should highlight that fans of screaming goat noises will probably be disappointed on first listen.
In the meantime, after one show in 2015 my goal for 2016 was ten shows, and I'm up to nine right now with two more to be announced shortly, so I guess we hit that goal. Give me a huge hello if you see me in any of the following places this Autumn:
SEPTEMBER
24 Bristol Louisiana (SOLD OUT)
OCTOBER
16 Southampton The Joiners (tix)
24 London Tooting Tram & Social (tix)
The other two shows will be in November and will be announced shortly, though anything outside of the South won't be happening until next year now.
Thanks to everyone who has made the shows so far so special, including an incredible (if technically inept) 2000Trees set, a roasting Reading show back in June and some fun under the railway arches at House of Vans with Frank Turner, Sam Duckworth and Ben Morse (thanks folks).
In the meantime, here's fifty minutes of my favourite songs of 2016 And The End Of 2015, for your Spotify ears. Athankyou:
https://open.spotify.com/user/benmarwood/playlist/5H7lHVTfl3hZfi0ar3eQFa
Saturday, 16 April 2016
Two whole shows!
Rejoice! Rejoice! We have survived the potential frostbite of another winter, and the death by chocolate of another Easter. Spring is here, summer is coming, life is good.
The other day I got an email from Kyle MacFarquharson, who reminded me that:
a) I haven't posted here lately
and also:
b) Kyle MacFarquharson has a really cool name
Anyway, here's a blog post about a couple of shows I have coming up.
Shows:
23.04.16 READING Are You Listening? festival website
05.05.16 LONDON Camden Monarch website
Oh you want posters? We have posters:
Obligatory album update:
Drums? Done!
Bass? Done!
Acoustic guitar? Done!
Electric guitar, vocals, piano and assorted gumpf? Ehhh, not yet.
xx
The other day I got an email from Kyle MacFarquharson, who reminded me that:
a) I haven't posted here lately
and also:
b) Kyle MacFarquharson has a really cool name
Anyway, here's a blog post about a couple of shows I have coming up.
Shows:
23.04.16 READING Are You Listening? festival website
05.05.16 LONDON Camden Monarch website
Oh you want posters? We have posters:
Obligatory album update:
Drums? Done!
Bass? Done!
Acoustic guitar? Done!
Electric guitar, vocals, piano and assorted gumpf? Ehhh, not yet.
xx
Saturday, 30 January 2016
OTAC is 5 today (and yours for free)
"Hey, Xtra Mile?", the phone conversation began, "It's me, Ben Marwood. Outside There's A Curse is five years old at the end of January and I'd like to give it away for free."
Actually come to think of it, this was all over email. I'm rubbish on the phone. Anyway, after some discussion about what kind of 5th birthday party I was going to throw it (a superhero party was agreed), and after I had overcome the sudden, inexplicable urge to eat jelly and ice cream, Xtra Mile gave the go-ahead, and here we are.
Today, 31st January 2016, my debut album from 2011 is entirely, spectacularly free from Bandcamp for the whole 24-hour UK time period.
Outside There's A Curse is, as far as Ben Marwood albums go, pretty popular. It was my first Xtra Mile release, it was reviewed in Kerrang! which in my eyes makes an Actual Album, it has 'Singalong' on it, it has the Postal Service cover on it and even as a man who is often sick of hearing his own songs in recorded format before they're even finished being recorded, I can listen to OTAC all the way through without accidentally clawing my own eyes out.
I'm very proud of it, but apparently not everyone in the world has heard it. If you don't own it already, this is your chance.
Go get it here, and spread the word:
Outside There's A Curse (link expired)
Actually come to think of it, this was all over email. I'm rubbish on the phone. Anyway, after some discussion about what kind of 5th birthday party I was going to throw it (a superhero party was agreed), and after I had overcome the sudden, inexplicable urge to eat jelly and ice cream, Xtra Mile gave the go-ahead, and here we are.
Today, 31st January 2016, my debut album from 2011 is entirely, spectacularly free from Bandcamp for the whole 24-hour UK time period.
Outside There's A Curse is, as far as Ben Marwood albums go, pretty popular. It was my first Xtra Mile release, it was reviewed in Kerrang! which in my eyes makes an Actual Album, it has 'Singalong' on it, it has the Postal Service cover on it and even as a man who is often sick of hearing his own songs in recorded format before they're even finished being recorded, I can listen to OTAC all the way through without accidentally clawing my own eyes out.
I'm very proud of it, but apparently not everyone in the world has heard it. If you don't own it already, this is your chance.
Go get it here, and spread the word:
Outside There's A Curse (link expired)
Monday, 30 November 2015
Gimme Shelter
About six years ago I played Union Chapel with Frank Turner and a host of others. It was Christmas. Frank got stuck in France and had to be airlifted in arrive late. My family stayed out late in the bar whilst I ran for the last train. Here we are:
Look at us there, all sprightly and young.
This Christmas, it will be my pleasure to join Frank at Union Chapel, this time with the aim of raising thousands upon thousands upon thousands of pounds for one of our favourite charities, Shelter, the housing and homelessness charity. I've known about this for a while and not been able to tell anyone, so I'm glad to finally get this news out there.
I spoke to Frank a few weeks ago and made an off-hand comment that I would be looking to do a show or two in 2016, and all of a sudden this was dropped into conversation. I ummed and ahhed before realising that if I turned down the chance to play the Chapel for Shelter alongside Frank, a huge part of my soul would have shrivelled up and died.
The show is on Saturday 19th December at, you guessed it, London's Union Chapel. Tickets are balloted only, £30 a piece (for a great cause etc), Lewis Bootle opens and you can apply right over here.
Look at us there, all sprightly and young.
This Christmas, it will be my pleasure to join Frank at Union Chapel, this time with the aim of raising thousands upon thousands upon thousands of pounds for one of our favourite charities, Shelter, the housing and homelessness charity. I've known about this for a while and not been able to tell anyone, so I'm glad to finally get this news out there.
I spoke to Frank a few weeks ago and made an off-hand comment that I would be looking to do a show or two in 2016, and all of a sudden this was dropped into conversation. I ummed and ahhed before realising that if I turned down the chance to play the Chapel for Shelter alongside Frank, a huge part of my soul would have shrivelled up and died.
The show is on Saturday 19th December at, you guessed it, London's Union Chapel. Tickets are balloted only, £30 a piece (for a great cause etc), Lewis Bootle opens and you can apply right over here.
Friday, 30 October 2015
health, 2.0
Readers!
It's been ten months since I threw my musical toys out of the pram and went off to do other things, and whilst normally we get to October and ask each other where the year's gone as if we don't know, it's my duty to report that 2015 at Marwood Towers (two bedrooms, rented) has felt about four years long. To boot, looking back at the blog posts in a year which has felt not unlike being stuck in motorway traffic, it seems I've treated you to the following delights:
I think it's fair to say that those things are probably not why people come to read this blog - it's certainly not why I set it up, anyway - and so it's probably about time we had a real update on the last ten months' happenings beyond the social media sprinklings that I've been dishing out willy-nilly.
That said, you should probably also know that I started drafting this update in July (yes, July) and so in order to get this finished and posted I am restricting myself to just five succinct points. After all, this is still the intro; a full-length unedited update would probably take up all remaining space on the internet.
So here goes.
1. I'm alive
2. Mental health is important
In the end, we arrived at a diagnosis of Chronic Fatigue Syndrome which, whether correct or not, drastically reduced the amount of time I had to spend being prodded by the medical world which was absolutely fine by me. What became clear pretty quickly was the total lack of solution to the CFS problem as it is, in essence, not so much a precise diagnosis but more of a checklist of criteria the patient's condition satisfies. As a result, two people diagnosed with the same illness can have two entirely different sets of symptoms that have progressed in different ways, from a slow decline to a sudden plummet into Illhood, meaning that what helps me might be useless for the next person.
What people do seem to agree on is that the mental outlook of the patient does have a part to play: I'm not saying that thinking you're going to get better means you'll get better, but resigning yourself to a lifetime of illness and despair at the hands of this beast will probably help you get there. Being serious about mental health, admitting defeat when you need to and keeping a positive attitude has been key to recovery and to that end..
4. Playing/hearing/watching music is getting easier
At first I was afraid. I was petrified. Also I felt very sick whenever I tried to play guitar, the combination of trying to stay balanced coupled with co-ordinating my fingers being just too much, and don't get me started on trying to project vocals under those circumstances.
Unhilariously, the problem also extended to going to gigs, where standing up whilst listening to loud music in the darkness presented me with a problem for some reason (normally Where Does The Floor Keep Going?). A list of quirky symptoms still remain, some of which are truly hilarious, keeping me away from doing shows, although I'm sure it won't be long. I can string five or six songs together in a row, and I no longer go jelly-legged whilst walking down staircases, so before too long I guess I'll be able to play short shows even if the stage is at the bottom of a giant flight of stairs.
That said, cutting out the music stuff did do wonders for reducing my stress levels, but..
It's been ten months since I threw my musical toys out of the pram and went off to do other things, and whilst normally we get to October and ask each other where the year's gone as if we don't know, it's my duty to report that 2015 at Marwood Towers (two bedrooms, rented) has felt about four years long. To boot, looking back at the blog posts in a year which has felt not unlike being stuck in motorway traffic, it seems I've treated you to the following delights:
- An announcement that I was curating some shows in Reading last March
- A post asking everyone to vote in May's UK elections
- A link to an Ask XMR article where I gave dodgy life advice
- A rant about the government
I think it's fair to say that those things are probably not why people come to read this blog - it's certainly not why I set it up, anyway - and so it's probably about time we had a real update on the last ten months' happenings beyond the social media sprinklings that I've been dishing out willy-nilly.
That said, you should probably also know that I started drafting this update in July (yes, July) and so in order to get this finished and posted I am restricting myself to just five succinct points. After all, this is still the intro; a full-length unedited update would probably take up all remaining space on the internet.
So here goes.
1. I'm alive
If you had to study my life's works so far, one of the things they'd all have in common is that I've been alive for all of them, and I'm delighted to say that will continue. This might seem like a completely redundant point, but when I put everything on hold last year I was being tested for all manner of Terminal Bastards to try and get to the bottom of things in a setting where such things as The End are discussed particularly frankly and at least one person definitely didn't rate my chances. By the end of January I'd seen a stream of specialists and the one thing they all agreed on is that while no-one has any idea what is actually wrong, it isn't serious. You could argue that being that certain about something you can't identify defies logic, but LA LA LA LA I can't hear you.
If the hiatus post seemed overly emo, I will readily admit that I was resigned to my impending death, and it was a source of great embarrassment between me and everyone I confided in when I didn't die after all. Only joking about that last bit. Mostly.
If the hiatus post seemed overly emo, I will readily admit that I was resigned to my impending death, and it was a source of great embarrassment between me and everyone I confided in when I didn't die after all. Only joking about that last bit. Mostly.
2. Mental health is important
In the end, we arrived at a diagnosis of Chronic Fatigue Syndrome which, whether correct or not, drastically reduced the amount of time I had to spend being prodded by the medical world which was absolutely fine by me. What became clear pretty quickly was the total lack of solution to the CFS problem as it is, in essence, not so much a precise diagnosis but more of a checklist of criteria the patient's condition satisfies. As a result, two people diagnosed with the same illness can have two entirely different sets of symptoms that have progressed in different ways, from a slow decline to a sudden plummet into Illhood, meaning that what helps me might be useless for the next person.
What people do seem to agree on is that the mental outlook of the patient does have a part to play: I'm not saying that thinking you're going to get better means you'll get better, but resigning yourself to a lifetime of illness and despair at the hands of this beast will probably help you get there. Being serious about mental health, admitting defeat when you need to and keeping a positive attitude has been key to recovery and to that end..
3. Everyone is great
.. it was largely possible thanks to a network of friends who remain a brilliant mixture of the optimistics, the straight-talkers, the relentlessly-attentives and some plain lunatics. I had cards, messages, emails and on one occasion a fucking binder full of well-wishes and it was all deeply touching once I repressed the feeling that I had become some kind of strange charity case. Incidentally, you shouldn't repress your feelings. I hear it will make you ill.
There are too many people here to thank, so let's not do that here. You probably already know who you are, but if you think you're borderline, flip a coin.
There are too many people here to thank, so let's not do that here. You probably already know who you are, but if you think you're borderline, flip a coin.
4. Playing/hearing/watching music is getting easier
At first I was afraid. I was petrified. Also I felt very sick whenever I tried to play guitar, the combination of trying to stay balanced coupled with co-ordinating my fingers being just too much, and don't get me started on trying to project vocals under those circumstances.
Unhilariously, the problem also extended to going to gigs, where standing up whilst listening to loud music in the darkness presented me with a problem for some reason (normally Where Does The Floor Keep Going?). A list of quirky symptoms still remain, some of which are truly hilarious, keeping me away from doing shows, although I'm sure it won't be long. I can string five or six songs together in a row, and I no longer go jelly-legged whilst walking down staircases, so before too long I guess I'll be able to play short shows even if the stage is at the bottom of a giant flight of stairs.
That said, cutting out the music stuff did do wonders for reducing my stress levels, but..
5. I have begun work on album three
.. as much fun as laying around not doing any music was (and for a while, it really was), by the end of the Spring I was in the process of upgrading my studio for the first time since I bought it in 2002. Out has gone the trusty Tascam 788 8-track which I used to record most of This Is Not What You Had Planned, Outside There's A Curse and, on reflection, not enough of Back Down, and in has come a Tascam DP-24, with such mind-boggling features as SDHC capability and a USB connection. I'm living in the future/not so far in the past.
There's not much exciting information I can give you at present, other than recording started a few weeks ago, rhythm section rehearsals to pull the loud parts together are due to start in the last days of November and none of the songs are about Trevor McDonald.
There are your five points. See you in ten months!*
b
*mostly joking
.. as much fun as laying around not doing any music was (and for a while, it really was), by the end of the Spring I was in the process of upgrading my studio for the first time since I bought it in 2002. Out has gone the trusty Tascam 788 8-track which I used to record most of This Is Not What You Had Planned, Outside There's A Curse and, on reflection, not enough of Back Down, and in has come a Tascam DP-24, with such mind-boggling features as SDHC capability and a USB connection. I'm living in the future/not so far in the past.
There's not much exciting information I can give you at present, other than recording started a few weeks ago, rhythm section rehearsals to pull the loud parts together are due to start in the last days of November and none of the songs are about Trevor McDonald.
There are your five points. See you in ten months!*
b
*mostly joking
Saturday, 11 July 2015
South Street Arts Centre, and the ongoing struggle
The hiatus is nearly seven months old and I've been terrible at keeping people filled in. I owe you an update, really, but this is a slow-moving target and so there's always tomorrow.
There are other things which are perhaps more time sensitive, and that's why I want to talk about that thing that arouses us all: that's right, we're going to talk about the recent UK budget and the threat to the needy. And the arts. Which isn't the same.
Phwoar. Right?
I know, I know: we all know it. The Tories hate the arts because there's not a lot of money in it and funding theatre, shows and activities for us plebs to do has never been high up on their list of priorities. "Get off your soapbox Ben Marwood, Reading's Sexiest Bachelor 2002", you all say. Quite why you felt the need to invent an award for me is beyond me, but I'm flattered all the same.
This Government is the pits, but I am actually going somewhere with this, albeit somewhere heavily Reading-centric (sorry).
In this latest wave of cuts assigned to austerity and balancing the books - fine, whatever, let's not get into that here - Reading Borough Council's funding that isn't ringfenced (eugh, that term) is being cut by a third, and so the council has started doing the legwork ahead of their big meet on July 20th, planning what cuts might happen and by how much. There's a big list of depressing numbers over here if you're interested, among them heavy cuts to learning disability services, mental health services, extra care housing and so on. So far, so Tory.
However..
(Sorry. Recently Michael Gove, living Pob puppet and somehow Secretary of State for Justice, circulated a memo that asked MPs to stop starting sentences with 'However'. I couldn't let that go without mentioning.)
However, I know nothing about the state of those services to defend them, though I will happily jump on that bandwagon when someone smart fills me in. The thing that stood out to me the most was that the council are reviewing the use of their buildings in Reading and typically the one which is facing the axe (aside from underused libraries) seems to be South Street Arts Centre, a two-roomed venue (one 80-100 cap, one 200-250) specialising in theatre and live music and ideal for those moving through the grassroots of the entertainment industry.
Now, I can't claim to have always enjoyed going to South Street - I had a string of very average shows there, though in recent years it's been much better - but to close it would be a terrible shame for the lovely people who staff it and the fantastic acts who pass through there and aren't me (like the wonderful Alex Horne, who is there in September). The suggestion that South Street's extensive portfolio of acts and nights could be relocated is bonkers: the other council venues in Reading are the Hexagon (much, much bigger than South Street), the Town Hall (the same size, but with a schedule already just as busy if you include wedding receptions) and the 3Bs, which is so without definable use that I didn't even know it was still open despite walking past it every day.
So, if you've ever been to South Street and would like to go again, you could probably do worse than sign this petition:
https://www.change.org/p/reading-borough-council-do-not-close-south-street-arts-centre
Will it change much? Who knows, but staying silent would just be to give up and given that South Street is a council venue, I don't expect the staff there can make much noise to defend themselves (as council employees in a council venue).
Safeguarding entertainment in Reading is important to me, and hopefully to others too. I do not want to forever spend my evenings in front of prime time ITV. If towns are judged by their individuality, Reading would be one step closer to a chain store-only wasteland without places like South Street Arts Centre, or the Rising Sun Arts Centre just up the road.
These are the first cuts of many. If cuts like these aren't happening in your area already, they probably will be soon. The Conservative Austerity train is heading to your town and whether you like it or not as a country it's exactly what we ordered in May. The Conservative Party are businessmen if nothing else (and so often, nothing else) and will run the country as such. Perhaps all we can do at grassroots level for the next few years is to identify the causes we hold most important and the things we don't want to lose, and then fight for them. This is the way things might have to be, short of some global revolution, which - and let me put this bluntly - isn't ever going to arrive if your figurehead is Russell Brand.
In Reading, the fight for the arts starts here.
Footnote:
All this probably seems pretty trivial in the week where George Osborne mostly punished the poor just for being poor, raising the income tax threshold to benefit the employed whilst abolishing tax credits and benefits for hard-up families. I get it, really I do. There seems to be this idea among some of the financially-secure employed that the low-earning families are there because they don't work hard or they have five children and dine out on your taxes and exclusively your taxes, but that's bullshit isn't it? We could all work our bums off every day forever, but if you only get paid an hourly rate and it's low, you take home that low pay no matter how hard you work. If we really have to balance the books here and we're all in it together, perhaps we should all have taken a percentage income cut together, employed or not. But that won't get you votes, will it?
There are other things which are perhaps more time sensitive, and that's why I want to talk about that thing that arouses us all: that's right, we're going to talk about the recent UK budget and the threat to the needy. And the arts. Which isn't the same.
Phwoar. Right?
I know, I know: we all know it. The Tories hate the arts because there's not a lot of money in it and funding theatre, shows and activities for us plebs to do has never been high up on their list of priorities. "Get off your soapbox Ben Marwood, Reading's Sexiest Bachelor 2002", you all say. Quite why you felt the need to invent an award for me is beyond me, but I'm flattered all the same.
This Government is the pits, but I am actually going somewhere with this, albeit somewhere heavily Reading-centric (sorry).
In this latest wave of cuts assigned to austerity and balancing the books - fine, whatever, let's not get into that here - Reading Borough Council's funding that isn't ringfenced (eugh, that term) is being cut by a third, and so the council has started doing the legwork ahead of their big meet on July 20th, planning what cuts might happen and by how much. There's a big list of depressing numbers over here if you're interested, among them heavy cuts to learning disability services, mental health services, extra care housing and so on. So far, so Tory.
However..
(Sorry. Recently Michael Gove, living Pob puppet and somehow Secretary of State for Justice, circulated a memo that asked MPs to stop starting sentences with 'However'. I couldn't let that go without mentioning.)
However, I know nothing about the state of those services to defend them, though I will happily jump on that bandwagon when someone smart fills me in. The thing that stood out to me the most was that the council are reviewing the use of their buildings in Reading and typically the one which is facing the axe (aside from underused libraries) seems to be South Street Arts Centre, a two-roomed venue (one 80-100 cap, one 200-250) specialising in theatre and live music and ideal for those moving through the grassroots of the entertainment industry.
Now, I can't claim to have always enjoyed going to South Street - I had a string of very average shows there, though in recent years it's been much better - but to close it would be a terrible shame for the lovely people who staff it and the fantastic acts who pass through there and aren't me (like the wonderful Alex Horne, who is there in September). The suggestion that South Street's extensive portfolio of acts and nights could be relocated is bonkers: the other council venues in Reading are the Hexagon (much, much bigger than South Street), the Town Hall (the same size, but with a schedule already just as busy if you include wedding receptions) and the 3Bs, which is so without definable use that I didn't even know it was still open despite walking past it every day.
So, if you've ever been to South Street and would like to go again, you could probably do worse than sign this petition:
https://www.change.org/p/reading-borough-council-do-not-close-south-street-arts-centre
Will it change much? Who knows, but staying silent would just be to give up and given that South Street is a council venue, I don't expect the staff there can make much noise to defend themselves (as council employees in a council venue).
Safeguarding entertainment in Reading is important to me, and hopefully to others too. I do not want to forever spend my evenings in front of prime time ITV. If towns are judged by their individuality, Reading would be one step closer to a chain store-only wasteland without places like South Street Arts Centre, or the Rising Sun Arts Centre just up the road.
These are the first cuts of many. If cuts like these aren't happening in your area already, they probably will be soon. The Conservative Austerity train is heading to your town and whether you like it or not as a country it's exactly what we ordered in May. The Conservative Party are businessmen if nothing else (and so often, nothing else) and will run the country as such. Perhaps all we can do at grassroots level for the next few years is to identify the causes we hold most important and the things we don't want to lose, and then fight for them. This is the way things might have to be, short of some global revolution, which - and let me put this bluntly - isn't ever going to arrive if your figurehead is Russell Brand.
In Reading, the fight for the arts starts here.
Footnote:
All this probably seems pretty trivial in the week where George Osborne mostly punished the poor just for being poor, raising the income tax threshold to benefit the employed whilst abolishing tax credits and benefits for hard-up families. I get it, really I do. There seems to be this idea among some of the financially-secure employed that the low-earning families are there because they don't work hard or they have five children and dine out on your taxes and exclusively your taxes, but that's bullshit isn't it? We could all work our bums off every day forever, but if you only get paid an hourly rate and it's low, you take home that low pay no matter how hard you work. If we really have to balance the books here and we're all in it together, perhaps we should all have taken a percentage income cut together, employed or not. But that won't get you votes, will it?
Thursday, 21 May 2015
Take life advice from Ben Marwood
I think it's been long enough now since the election to come out of hiding. The people shouting across Facebook have settled and will go back to the e-petitions, normal petitions, protests and word-spreading whilst we wait for the next General Election to roll around a few years down the line. I'll be honest - I was saddened by the result, but in no way surprised.
You're due a health update, I guess. That'll be along soon, but if we're catching up on news we may as well start with me being a temporary agony aunt over on the XMR Hub a few months back.
See me answer questions such as:
What happens if you put a werewolf on the moon?
What is your favourite irrational number?
What is the capital of East Timor?
Neat eh? You can find it on the Ask XMR page, dated 05/04/2015.
b. x
You're due a health update, I guess. That'll be along soon, but if we're catching up on news we may as well start with me being a temporary agony aunt over on the XMR Hub a few months back.
See me answer questions such as:
What happens if you put a werewolf on the moon?
What is your favourite irrational number?
What is the capital of East Timor?
Neat eh? You can find it on the Ask XMR page, dated 05/04/2015.
b. x
Sunday, 19 April 2015
Vote.
Today is the 19th of April 2015, which means that unless Russell Brand accidentally rips apart space and time with his alternative to the current system (which I'm sure is due any day now), tomorrow is the deadline for registering to vote in the UK general and local elections.
To me, voting is pretty important, a chance to have your say in who represents you day in, day out for the next few years. I appreciate that not everyone feels that way, but if you're someone who intends to vote but hasn't yet registered and is dragging their feet, the link is right here:
https://www.gov.uk/register-to-vote
As if you need any further opinion on the matter, me and some rock stars recently let Punktastic know why we consider voting to be a priority. You can read all that over here, and they even used my quote in the header. Totally famous.
Good luck, UK.
To me, voting is pretty important, a chance to have your say in who represents you day in, day out for the next few years. I appreciate that not everyone feels that way, but if you're someone who intends to vote but hasn't yet registered and is dragging their feet, the link is right here:
https://www.gov.uk/register-to-vote
As if you need any further opinion on the matter, me and some rock stars recently let Punktastic know why we consider voting to be a priority. You can read all that over here, and they even used my quote in the header. Totally famous.
Good luck, UK.
Monday, 2 March 2015
Not cured, but curating
Hi!
Admittedly, I may be no closer to playing shows of my own, but that doesn't mean I can't give the fine people of Reading, UK some shows to go to.
Starting tomorrow, I'm the guest curator on Tuesday nights at the Purple Turtle on Gun Street, a bar where me and a great many of my friends have staggered blindly around wondering which way is up. Since those days it's had a huge makeover and these days puts on some decent shows, and for five Tuesdays in March my aim is to not completely destroy that reputation.
These shows are FREE and 18+. Come on down.
MARCH
3rd: Oxygen Thief + Matthew Greener
10th: Grant Sharkey + Buildings On Fire
17th: She Makes War + Seasons In Shorthand
24th: Retrospective Soundtrack Players + Damien A Passmore & the Loveable Fraudsters
31st: Quiet Quiet Band + Bruce Neil.
See you there!
x
Admittedly, I may be no closer to playing shows of my own, but that doesn't mean I can't give the fine people of Reading, UK some shows to go to.
Starting tomorrow, I'm the guest curator on Tuesday nights at the Purple Turtle on Gun Street, a bar where me and a great many of my friends have staggered blindly around wondering which way is up. Since those days it's had a huge makeover and these days puts on some decent shows, and for five Tuesdays in March my aim is to not completely destroy that reputation.
These shows are FREE and 18+. Come on down.
MARCH
3rd: Oxygen Thief + Matthew Greener
10th: Grant Sharkey + Buildings On Fire
17th: She Makes War + Seasons In Shorthand
24th: Retrospective Soundtrack Players + Damien A Passmore & the Loveable Fraudsters
31st: Quiet Quiet Band + Bruce Neil.
See you there!
x
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